Discovering Aux channels

It really shouldn’t have taken me quite so long to get to grips with Aux channels on our mixer. After all they are responsible for 48 of the knobs (in two different colours) so it’s not as if they are easy to miss.

Well perhaps I’m being unfair on myself. I did use them when recording the carol service last year, but it’s taken my until now to think about using them properly.

Two of the four channels have always been in use, one for the all important induction loop and the other so that people in the vestry have some idea what is going on in the service. The other two have now been drafted in for recording purposes.

Simply put they allow the willing soundperson to create an entirely separate mix for recording, independently of the levels for front of house. The spur for me was our keyboard. Normally it is set so loud the challenge on the desk is not to make it heard, but stop it from spilling into other mics.

That wasn’t too hard with some careful mic placement. The problem was then when I wanted to start recording services. With virtually no keyboard through the main output, the tape output was nigh on useless.

The solution: Aux channels. I can run as much or as little through each without affecting the main mix.

Additional

In fact, even that needed some tweaking, due to the very different levels between speech and the worship group. In the end I recorded the radio mics on one channel and the music on another. At some point I will have a go at mixing them together.

Simple recording in services

There’s one reason why I miss the tape recorder in own sound desk. It’s the sole reason, but still important. It was really simple to use. You popped a tape in and pressed the large record button. And it was simple to check. Just look for the depressed button, the tape spindles moving and maybe some activity on the level monitor.

My MP3 player – an MSI Megastick 528 – fantastic little device with a line in socket – takes up a fraction of the space, records for longer than a briefcase of tapes (ok just a guess) and runs for hours off a single AAA battery. So it’s better surely?

Well no, not really. There’s no way to check levels without playing a track back, and there’s rarely time for that before a service. It’s also a little slow to respond to button presses; once it’s going it’s fine but sometimes getting there can be a pain.

Now, this is one thing for me, I’m reasonably comfortable at messing around with technology and can normally get it to work without raising my blood pressure too much, but there’s no way I can recommend it in a situation with people who are less happy with playing around this way. What we need is something with that familiar red button, preferably large and easy to see when active.

The trouble is, most electronic devices are just a variation on my MP3 player. We used to use an M-Audio portable recorder for podcasts and even I managed to fluff up recordings by not pressing the right combination of buttons. It’s not that the device didn’t work, just it wasn’t as simple as a tape deck.

I asked this question at the Worship conference held at Crawley Baptist last month as we had a seminar dedicated to sound and pa. They recommended the iKey Plus as offering the right balance of functionality and ease of use, and it certainly looks that way from a quick read of the manual.

Interestingly as I was mulling this post, an entry appeared from Musicians Tools for this rack mounted recording device for iPods. We’ve already got an iPod Nano for day to day background music in the church, I’m sure one more iPod won’t hurt.